Bibliografia

Blog Post 1

Bergman, Andrew. We’re in the Money: Depression America and Its Films. New York: New York University Press, 1971. Print.

Cavallero, J J. “Gangsters, Fessos, Tricksters, and Sopranos: the Historical Roots of Italian American Stereotype Anxiety.” The Journal of Popular Film and Television : Jpf & T. 32.2 (2004): 50-63. Print.

LaGumina, Salvatore J. Wop: A Documentary History of Anti-Italian Discrimination in the United States. San Francisco: Straight Arrow Books; distributed by Quick Fox Inc., New York, 1973. Print.

“Little Caesar (1931).” IMDb: The Internet Movie Database. IMDb.com-Amazon.com,1990-2011. Web. 20 Oct. 2011. <http://www.imdb.com/title/tt0021079/&gt;.

Lourdeaux, Lee. Italian and Irish Filmmakers in America: Ford, Capra, Coppola, and Scorsese. Philadelphia: Temple University Press, 1990. Print.

Wasko, Janet. “Critiquing Hollywood: The Political Economy of Motion Pictures.” A Concise Handbook of Movie Industry Economics. Ed. Moul, Charles C. Cambridge: Cambridge University Press, 2005. Print.

Blog Post 2

Cavallero, J J. “Gangsters, Fessos, Tricksters, and Sopranos: the Historical Roots of Italian American Stereotype Anxiety.” The Journal of Popular Film and Television : Jpf & T. 32.2 (2004): 50-63. Print.

Dick, Bernard F. Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood. Lexington: University Press of Kentucky, 2001. Print.

Fyne, Robert. The Hollywood Propaganda of World War Ii. Metuchen, N.J: Scarecrow Press, 1994. Print.

Lourdeaux, Lee. Italian and Irish Filmmakers in America: Ford, Capra, Coppola, and Scorsese. Philadelphia: Temple University Press, 1990. Print.

Silver, Alain, and James Ursini. The Gangster Film Reader. Pompton Plains, N.J: Limelight, 2007. Print.

Thomson, Irene T. In Conflict No Longer: Self and Society in Contemporary America. Lanham, Md: Rowman & Littlefield, 2000. Print.

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